Stacks Image 1006

PHILOSOPHY OF ART

Philosophy 330

Fall 2025 Syllabus

Section 001
CRN: 14088
MW 3:00 — 4:15 PM
Edith Kanakaʻole Hall 128


Dr. Timothy J. Freeman
The University of Hawaii at Hilo
Edith Kanaka‘ole Hall 212
office: 932-7479; cell: 345-5231

freeman@hawaii.edu

Office Hours: MWF 1:00-2:00 PM
and by appointment

Banner image:
Where Do We Come From? What Are We? Where Are We Going?, Paul Gauguin, 1897-1898.

CATALOGUE COURSE DESCRIPTION

PHIL 330 Philosophy of Art
The aesthetic object, form in art, representation, meaning in art, and claims of knowledge in art. Pre: previous work in philosophy and in art or music. (Attributes: DH)

REQUIRED TEXT

Art and Its Significance: An Anthology of Aesthetic Theory, 3rd edition, ed. Stephen David Ross. State University of New York Press, 1994.

COURSE CONTENT

The purpose of the course is to introduce the student to a number of philosophical questions regarding art. Perhaps the most important of these, or at least one that has long been of central concern to the philosophy of art, is the Socratic question with regard to art, i.e., “what is art?” This question seeks some defining essence, some definition of art that would enable one to recognize art when one encounters it and to distinguish art from what is not art. Another central question concerns whether or not, and upon what basis, evaluative judgments regarding art are possible. Are evaluative judgments regarding art merely matters of taste, purely personal opinion, or is there some basis upon which to make an evaluative judgment of art that is not merely a matter of personal taste? In other words, is criticism of art possible? Philosophers of art are also concerned with the question of the purpose and value of art. What is art for? Do we learn something important in encountering art or does the purpose of art lie in giving pleasure in the contemplation of beautiful objects? Is the purpose of art to express feelings, to make statements, to transform society, or is art for art’s sake alone? What, then, is the value of art? Is art like Plato thought dangerous and thus subject to control and censorship, or is it something merely extraneous, enjoyable perhaps but not necessary for a healthy life or society, or is art vitally important for human beings today?

STUDENT LEARNING OUTCOMES

[Philosophy courses for GE purposes]: (As with all Philosophy courses) Students who successfully complete the course will be able to:
●respond clearly, logically and critically to examination questions and discussion questions about some important philosophical issues relevant to the course;
●read, comprehend, and discuss philosophical texts relevant to the course;
●compose effective written materials that assimilate, synthesize and reflect on course information;
●identify and describe in writing and in class discussion some important aspects of the philosophy of art.

COURSE FORMAT

This course is designated as Hybrid instruction, which means there will be a mixture of face to face and online instruction. Classroom face to face is recommended, but for those who are unable to make it to campus all classes will take place on Zoom and be recorded. Instruction will include lectures, powerpoint presentations, film clips, and discussions.
UH Hilo Designation of Types of Courses

CLASSROOM POLICIES

Students are expected to come to class prepared to discuss the readings. No consumption of food is allowed during class. For those attending on Zoom cameras must be on for attendance to be counted.

GRADING

The final grade will be based on the following:
1) A mid-term essay assignment (40%)
2) A final essay assignment (50%)
3) Attendance and participation (10%)

Grading will be determined according to the following scale:
A 95-100 Excellent
A - 90-94
B + 87-89
B 84-86 Good
B - 80-83
C + 77-79
C 74-76 Satisfactory
C - 70-73 Poor
D 60-70 Failure
F below 60

SUPPORT AVAILABLE FOR STUDENTS

Current, up to date statements regarding ITS, Disability Services, Advising, Academic Integrity, Kilohana Academic Success, Student Conduct, Mental Health, Students of Concern, and Title IX/EEO can be found at the following links:
Short Link
Mobile link


Course Schedule

PART I: Historical Background

Week 1: Philosophy of Art in Antiquity—Plato

Stacks Image 329

Winged Victory of Samothrace
Louvre, Paris
Photo by Tim Freeman, 2015.

Monday, 25 August

Wednesday, 27 August

Plato's Philosophy of Art (Powerpoint)
Plato's Philosophy of Art
The Republic
Selections from Books II & III

(Art and Its Significance 9-44)


Week 2: Philosophy of Art in Antiquity

Stacks Image 1073

Rhapsode Amphora
Attributed to: The Kleophrades Painter, 490BC-480BC (circa)
British Museum, London

Monday, 01 September

*Holiday—Labor Day*

*September 2: Last day to register or add a class, and last day to withdraw from classes without owing tuition*

Wednesday, 03 September

Plato
Selections from the Ion and Symposium
Essay on Plato's Philosophy of Art

Art and Its Significance (9-44)


Week 3: Philosophy of Art in Antiquity

Stacks Image 1081

The Death of Pentheus
Scene from the Bacchae by Euripides
Detail from Red-Figure Kylix
c. 480 B.C., Douris (painter)
Kimbell Art Museum, Fort Worth, Texas

Monday, 08 September

Aristotle's Philosophy of Art
Selections from the Poetics
and Nichomachean Ethics
Essay on Aristotle's Philosophy of Art

Art and Its Significance (45-76)

Wednesday, 10 September

Film Recommendation:
Iphigenia

*September 12: Last day to exercise Credit/No Credit
and final deadline to apply for Spring 2025 Graduation*


Week 4: Philosophy of Art in the Enlightenment

Stacks Image 1220

Shipwreck of the Minotaur
Oil on canvas, J.M.W. Turner, circa 1810
Calouste Gulbenkian Museum

Monday, 15 September

David Hume
Of the Standard of Taste

Art and Its Significance (78-94)

*September 16: Last day to drop a class online without a "W" and last day to receive 50% refund on tuition for complete withdrawals. No refunds will be issued after this date*

Wednesday, 17 September


Week 5: Hegel and Romanticism

Stacks Image 1224

Wanderer above the Sea of Fog
Caspar David Friedrich, oil on canvas, circa 1817
Kunsthalle, Hamburg

Monday, 22 September

G.W.F. Hegel
Philosophy of Fine Art

Art and Its Significance (144-159)

Wednesday, 24 September

*No Class due to PACT Conference*

Online lecture


PART II: Philosophy of Modern Art

Week 6: The Birth of Modern Art

Stacks Image 1234

Impression, Sunrise
Claude Monet, oil on canvas, 1872
Musée Marmottan Monet, Paris

Monday, 29 September

Nietzsche's Philosophy of Art

The Birth of Tragedy

Art and Its Significance (162-175)

Wednesday, 01 October

Friedrich Nietzsche
Selections from Later Writings

Film Recommendation:
Midnight in Paris

Mid-Term Essay Exam
(Due Monday, October 27)


Week 7: Art as Expression

Stacks Image 1242

The Scream
Edvard Munch, 1893
Oil, tempera, pastel and crayon on cardboard
Munch Museum, Oslo

Monday, 06 October

Art as Expression

Leo Tolstoy
What is Art?

Art and Its Significance (177-181)

Wednesday, 08 October

R.G. Collingwood
Principles of Art

Art and Its Significance (192-201)


Week 8: Art as Significant Form

Stacks Image 1250

Two Forms
Barbara Hepworth
Serravezza marble, 1937, Private collection


Week 9: Surrealism—Psychology and Art

Stacks Image 915

Max Ernst, Pleiades, 1921.

Monday, 20 October

Sigmund Freud: "The Relation of the Poet to Day-Dreaming"

Art and Its Significance (500-506)

Surrealism

Wednesday, 22 October

Carl Jung: "Psychology and Literature"

Art and Its Significance (507-520)

Andre Breton:
Manifesto of Surrealism
Surrealism and Painting


Week 10: Art as the Happening of Truth

Stacks Image 1143

A Pair of Shoes
Vincent Van Gogh
Oil on canvas, 1886
Van Gogh Museum, Amsterdam

Monday, 27 October

Wednesday, 29 October

Jaques Derrida
"Restitutions" from The Truth in Painting

Art and Its Significance (421-428)

The Shimmering Shining
The Shimmering Shining with images
(My paper on Nietzsche and Heidegger)


Week 11: Painting as Embodiment of Vision

Stacks Image 1156

Mont Sainte-Victoire
Paul Cézanne
Oil on canvas, 1904-06
Princeton University Art Museum

Monday, 03 November

*November 3: Last day to drop a class online with a "W"*

Wednesday, 05 November

Maurice Merleau-Ponty
Eye and Mind

Art and Its Significance (281-298)


PART III: Further Discussions

Week 12: Art & the Political

Stacks Image 943

Colored Mona Lisa
Andy Warhol
silkscreen inks and graphite on canvas, 1963
Private collection


Week 13: The Apotheosis of Modern Art?

Stacks Image 1374

Full Fathom Five
Jackson Pollock
Oil on canvas with nails, tacks, buttons, key, coins, cigarettes, matches, etc., 1947
Museum of Modern Art, New York

Monday, 17 November

Clement Greenberg
"Towards a Newer Laocoon"

"Modernist Painting"

Wednesday, 19 November

Jackson Pollock Documentary
Film Recommendation:
Pollock


Week 14: Postmodernism


Stacks Image 876

Derrida Queries De Man
Mark Tansey
Oil on canvas, 1990
Collection of Mike and Penny Winton

Monday, 24 November

Jean-François Lyotard
What is Postmodernism?

Art and Its Significance (561-564)

Postmodernism in Art notes
Postmodernism powerpoint

Arthur Danto
The Artworld

Art and Its Significance (470-481)

Wednesday, 26 November

Basquiat: a postmodern representation
Film Recommendation:
The Radiant Child
(Jean Michel Basquiat Documentary)

Week 15: Feminist Theory

Stacks Image 617

Self-Portrait with Thorn Necklace and Hummingbird
Frida Kahlo
Oil on canvas, 1940
Harry Ransom Center
Austin, Texas

Monday, 01 December

Wednesday, 03 December

Luce Irigaray
Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine"

Art and Its Significance (578-590)

Craig Owens
The Discourse of Others: Feminists and Postmodernism

Art and Its Significance (591-598)

Judy Chicago
The Dinnner Party


Week 16: Multicultural Theory

Stacks Image 886

Les Demoiselles d'Avignon
Pablo Picasso
Oil on canvas, 1907
The Museum of Modern Art, New York

Monday, 08 December

V. Y. Mudimbe
The Invention of Africa

Art and Its Significance (600-606)

Trinh T. Minh-ha
Woman, Native, Other

Art and Its Significance (607-620)

Wednesday, 10 December

Tony Fry and Anne-Marie Willis
Aboriginal Art: Symptom or Success

Art and Its Significance (643-654)

'Primitivism in 20th-Century Art: Affinity of the Tribal and the Modern

Final Essay Assignment
(Due Wednesday, December 17, 4:00PM)


Final Exam

Wednesday, 17 December (2:00-4:00 PM)

**Schedule is subject to revision**

RapidWeaver Icon

Made in RapidWeaver