Fall 2020 Syllabus
Section 001
CRN: 14710
MW 3:00 — 4:15 PM
Edith Kanakaʻole Hall 126
Dr. Timothy J. Freeman
The University of Hawaii at Hilo
Edith Kanaka‘ole Hall 212
office: 932-7479; cell: 345-5231
freeman@hawaii.edu
Office Hours: MWF 1:00-2:00 PM
and by appointment
PHIL 330 Philosophy of Art *WI*
The aesthetic object, form in art, representation, meaning in art, and claims of knowledge in art. Pre: previous work in philosophy and in art or music. (Attributes: DH)
Art and Its Significance: An Anthology of Aesthetic Theory, 3rd edition, ed. Stephen David Ross. State University of New York Press, 1994.
The purpose of the course is to introduce the student to a number of philosophical questions regarding art. Perhaps the most important of these, or at least one that has long been of central concern to the philosophy of art, is the Socratic question with regard to art, i.e., “what is art?” This question seeks some defining essence, some definition of art that would enable one to recognize art when one encounters it and to distinguish art from what is not art. Another central question concerns whether or not, and upon what basis, evaluative judgments regarding art are possible. Are evaluative judgments regarding art merely matters of taste, purely personal opinion, or is there some basis upon which to make an evaluative judgment of art that is not merely a matter of personal taste? In other words, is criticism of art possible? Philosophers of art are also concerned with the question of the purpose and value of art. What is art for? Do we learn something important in encountering art or does the purpose of art lie in giving pleasure in the contemplation of beautiful objects? Is the purpose of art to express feelings, to make statements, to transform society, or is art for art’s sake alone? What, then, is the value of art? Is art something merely extraneous to a healthy life or society, or is art vitally important, perhaps even necessary, or is art perhaps dangerous and thus subject to control and censorship?
[Philosophy courses for GE purposes]: (As with all Philosophy courses) Students who successfully complete the course will be able to:
●respond clearly, logically and critically to examination questions and discussion questions about some important philosophical issues relevant to the course;
●read, comprehend, and discuss philosophical texts relevant to the course;
●compose effective written materials that assimilate, synthesize and reflect on course information;
●identify and describe in writing and in class discussion some important aspects of the cultural heritage and contributions of Western philosophy.
Due to the viral pandemic, this course will take place online, unless conditions improve to allow in person classes. There will be synchronous Zoom sessions which will include lectures, powerpoint presentations, film clips, and discussions. Students are encouraged to tune in to the live sessions, but the sessions will be recorded and uploaded to a Google Drive to watch at any time.
Students are encouraged to tune in to the synchronous sessions and encouraged to turn video cameras on so that you can see each other for better class time discussions.
This is a writing intensive course. The final grade will be based on the following:
1) One must do 4 of 6 short writing assignments (2-3 pages each). If you do more than 4, I will drop the lowest grade. (10% each for a total of 40% of the final grade)
2) A final essay paper due at the time scheduled for a final exam. The essay must include a development of at least one of the short essay assignments. (60% of the final grade)
Grading will be determined according to the following scale:
A 95-100 Excellent
A - 90-94
B + 87-89
B 84-86 Good
B - 80-83
C + 77-79
C 74-76 Satisfactory
C - 70-73 Poor
D 60-70 Failure
F below 60
Current, up to date statements regarding ITS, Disability Services, Advising, Academic Integrity, Kilohana Academic Success, Student Conduct, Mental Health, Students of Concern, and Title IX/EEO can be found at the following links:
Short Link
Mobile link
Winged Victory of Samothrace
Louvre, Paris
Photo by Tim Freeman, 2015.
Plato's Philosophy of Art
The Republic
Selections from Books II & III
(Art and Its Significance 9-44)
Rhapsode Amphora
Attributed to: The Kleophrades Painter, 490BC-480BC (circa)
British Museum, London
Plato
The Republic X
(Art and Its Significance 9-44)
**September1: last day to register to add classes and last day to withdraw without owing tuition**
Plato
Selections from the Ion and Symposium
Essay on Plato's Philosophy of Art
Art and Its Significance (9-44)
The Death of Pentheus
Scene from the Bacchae by Euripides
Detail from Red-Figure Kylix
c. 480 B.C., Douris (painter)
Kimbell Art Museum, Fort Worth, Texas
*Holiday—Labor Day*
Aristotle's Philosophy of Art
Selections from the Poetics
and Nichomachean Ethics
Essay on Aristotle's Philosophy of Art
Art and Its Significance (45-76)
Film Recommendation:
Iphigenia
Writing Assignment #1
(Due September 21)
**September11: last day to exercise Credit/No Credit
and final deadline to apply for Fall 2020 Graduation**
Shipwreck of the Minotaur
Oil on canvas, J.M.W. Turner, circa 1810
Calouste Gulbenkian Museum
David Hume
Of the Standard of Taste
Art and Its Significance (78-94)
**September 15: Last Day to drop a class online without a "W" and last day to receive 50% refund for complete withdrawals**
Immanuel Kant
The Critique of Judgment
Art and Its Significance (95-142)
Wanderer above the Sea of Fog
Caspar David Friedrich, oil on canvas, circa 1817
Kunsthalle, Hamburg
G.W.F. Hegel
Philosophy of Fine Art
Art and Its Significance (144-159)
Writing Assignment #2
(Due Monday, October 12)
Impression, Sunrise
Claude Monet, oil on canvas, 1872
Musée Marmottan Monet, Paris
Nietzsche's Philosophy of Art
The Birth of Tragedy
Art and Its Significance (162-175)
Friedrich Nietzsche
Selections from Later Writings
Film Recommendation:
Midnight in Paris
The Scream
Edvard Munch, 1893
Oil, tempera, pastel and crayon on cardboard
Munch Museum, Oslo
Art as Expression
Leo Tolstoy
What is Art?
Art and Its Significance (177-181)
R.G. Collingwood
Principles of Art
Art and Its Significance (192-201)
Amadeo Modigliani: 6 Minute Art History Video
Modigliani slide show
Film Recommendation:
Modigliani
Two Forms
Barbara Hepworth
Serravezza marble, 1937, Private collection
Art as Significant Form
Clive Bell
Art as Significant Form
Art and Its Significance (185-189)
Barbara Hepworth
"Sculpture"
No. 210/No. 211, (Orange)
Oil on canvas, Mark Rothko, 1960.
Crystal Bridges Museum of American Art
Art as Experience
John. Dewey
Art as Experience
Art and Its Significance (203-220)
Suzanne Langer
Feeling and Form
Art and Its Significance (221-235)
A Pair of Shoes
Vincent Van Gogh
Oil on canvas, 1886
Van Gogh Museum, Amsterdam
Martin Heidegger
The Origin of the Work of Art
Art and Its Significance (253-280)
Transcending Heidegger – The Cinema Of Terrence Malick
Jaques Derrida
"Restitutions" from The Truth in Painting
Art and Its Significance (421-428)
The Shimmering Shining
(My paper on Nietzsche and Heidegger)
Mont Sainte-Victoire
Paul Cézanne
Oil on canvas, 1904-06
Princeton University Art Museum
**November 2: Last Day to drop a class online with a "W"**
Maurice Merleau-Ponty
Eye and Mind
Art and Its Significance (281-298)
Writing Assignment #4
Due Monday, November 23
Colored Mona Lisa
Andy Warhol
silkscreen inks and graphite on canvas, 1963
Private collection
Walter Benjamin
The Work of Art in the Age of its Technical Reproducibility
Art and Its Significance (526-538)
*Holiday—Veteran's Day*
Full Fathom Five
Jackson Pollock
Oil on canvas with nails, tacks, buttons, key, coins, cigarettes, matches, etc., 1947
Museum of Modern Art, New York
Clement Greenberg
"Towards a Newer Laocoon"
"Modernist Painting"
Joseph Kosuth
"Art after Philosophy"
Jackson Pollock Documentary
Film Recommendation:
Pollock
Derrida Queries De Man
Mark Tansey
Oil on canvas, 1990
Collection of Mike and Penny Winton
Jean-François Lyotard
What is Postmodernism?
Art and Its Significance (561-564)
Arthur Danto
The Artworld
Art and Its Significance (470-481)
Arthur Danto
After the End of Art
Basquiat: a postmodern representation
Film Recommendation:
The Radiant Child
(Jean Michel Basquiat Documentary)
Self-Portrait with Thorn Necklace and Hummingbird
Frida Kahlo
Oil on canvas, 1940
Harry Ransom Center
Austin, Texas
Heide Goettner-Abendroth
Nine Principles of a Matriarchal Aesthetic
Art and Its Significance (566-577)
Luce Irigaray
Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine"
Art and Its Significance (578-590)
Craig Owens
The Discourse of Others: Feminists and Postmodernism
Art and Its Significance (591-598)
Film Recommendation:
Frida
Harvey Weinstein Is My Monster Too
Salma Hayek
Les Demoiselles d'Avignon
Pablo Picasso
Oil on canvas, 1907
The Museum of Modern Art, New York
V. Y. Mudimbe
The Invention of Africa
Art and Its Significance (600-606)
Trinh T. Minh-ha
Woman, Native, Other
Art and Its Significance (607-620)
Tony Fry and Anne-Marie Willis
Aboriginal Art: Symptom or Success
Art and Its Significance (643-654)
'Primitivism in 20th-Century Art: Affinity of the Tribal and the Modern
Writing Assignment #6
**Schedule is subject to revision**