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PHILOSOPHY OF ART

Philosophy 330

Fall 2020 Syllabus

Section 001
CRN: 14710
MW 3:00 — 4:15 PM
Edith Kanakaʻole Hall 126


Dr. Timothy J. Freeman
The University of Hawaii at Hilo
Edith Kanaka‘ole Hall 212
office: 932-7479; cell: 345-5231

freeman@hawaii.edu

Office Hours: MWF 1:00-2:00 PM
and by appointment

CATALOGUE COURSE DESCRIPTION

PHIL 330 Philosophy of Art *WI*
The aesthetic object, form in art, representation, meaning in art, and claims of knowledge in art. Pre: previous work in philosophy and in art or music. (Attributes: DH)

REQUIRED TEXT

Art and Its Significance: An Anthology of Aesthetic Theory, 3rd edition, ed. Stephen David Ross. State University of New York Press, 1994.

COURSE CONTENT

The purpose of the course is to introduce the student to a number of philosophical questions regarding art. Perhaps the most important of these, or at least one that has long been of central concern to the philosophy of art, is the Socratic question with regard to art, i.e., “what is art?” This question seeks some defining essence, some definition of art that would enable one to recognize art when one encounters it and to distinguish art from what is not art. Another central question concerns whether or not, and upon what basis, evaluative judgments regarding art are possible. Are evaluative judgments regarding art merely matters of taste, purely personal opinion, or is there some basis upon which to make an evaluative judgment of art that is not merely a matter of personal taste? In other words, is criticism of art possible? Philosophers of art are also concerned with the question of the purpose and value of art. What is art for? Do we learn something important in encountering art or does the purpose of art lie in giving pleasure in the contemplation of beautiful objects? Is the purpose of art to express feelings, to make statements, to transform society, or is art for art’s sake alone? What, then, is the value of art? Is art something merely extraneous to a healthy life or society, or is art vitally important, perhaps even necessary, or is art perhaps dangerous and thus subject to control and censorship?

STUDENT LEARNING OUTCOMES

[Philosophy courses for GE purposes]: (As with all Philosophy courses) Students who successfully complete the course will be able to:
●respond clearly, logically and critically to examination questions and discussion questions about some important philosophical issues relevant to the course;
●read, comprehend, and discuss philosophical texts relevant to the course;
●compose effective written materials that assimilate, synthesize and reflect on course information;
●identify and describe in writing and in class discussion some important aspects of the cultural heritage and contributions of Western philosophy.

COURSE FORMAT

Due to the viral pandemic, this course will take place online, unless conditions improve to allow in person classes. There will be synchronous Zoom sessions which will include lectures, powerpoint presentations, film clips, and discussions. Students are encouraged to tune in to the live sessions, but the sessions will be recorded and uploaded to a Google Drive to watch at any time.

CLASSROOM POLICIES

Students are encouraged to tune in to the synchronous sessions and encouraged to turn video cameras on so that you can see each other for better class time discussions.

GRADING

This is a writing intensive course. The final grade will be based on the following:
1) One must do 4 of 6 short writing assignments (2-3 pages each). If you do more than 4, I will drop the lowest grade. (10% each for a total of 40% of the final grade)
2) A final essay paper due at the time scheduled for a final exam. The essay must include a development of at least one of the short essay assignments. (60% of the final grade)

Grading will be determined according to the following scale:
A 95-100 Excellent
A - 90-94
B + 87-89
B 84-86 Good
B - 80-83
C + 77-79
C 74-76 Satisfactory
C - 70-73 Poor
D 60-70 Failure
F below 60

SUPPORT AVAILABLE FOR STUDENTS

Current, up to date statements regarding ITS, Disability Services, Advising, Academic Integrity, Kilohana Academic Success, Student Conduct, Mental Health, Students of Concern, and Title IX/EEO can be found at the following links:
Short Link
Mobile link


Course Schedule

PART I: Historical Background

Week 1: Philosophy of Art in Antiquity—Plato

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Winged Victory of Samothrace
Louvre, Paris
Photo by Tim Freeman, 2015.

Monday, 24 August

Wednesday, 26 August

Plato's Philosophy of Art
The Republic
Selections from Books II & III

(Art and Its Significance 9-44)


Week 2: Philosophy of Art in Antiquity

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Rhapsode Amphora
Attributed to: The Kleophrades Painter, 490BC-480BC (circa)
British Museum, London

Monday, 31 August

Plato
The Republic X

(Art and Its Significance 9-44)

**September1: last day to register to add classes and last day to withdraw without owing tuition**

Wednesday, 02 September

Plato
Selections from the Ion and Symposium
Essay on Plato's Philosophy of Art

Art and Its Significance (9-44)


Week 3: Philosophy of Art in Antiquity

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The Death of Pentheus
Scene from the Bacchae by Euripides
Detail from Red-Figure Kylix
c. 480 B.C., Douris (painter)
Kimbell Art Museum, Fort Worth, Texas

Monday, 07 September

*Holiday—Labor Day*

Wednesday, 09 September

Aristotle's Philosophy of Art
Selections from the Poetics
and Nichomachean Ethics
Essay on Aristotle's Philosophy of Art

Art and Its Significance (45-76)

Film Recommendation:
Iphigenia

Writing Assignment #1
(Due September 21)

**September11: last day to exercise Credit/No Credit
and final deadline to apply for Fall 2020 Graduation**


Week 4: Philosophy of Art in the Enlightenment

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Shipwreck of the Minotaur
Oil on canvas, J.M.W. Turner, circa 1810
Calouste Gulbenkian Museum

Monday, 14 September

David Hume
Of the Standard of Taste

Art and Its Significance (78-94)

**September 15: Last Day to drop a class online without a "W" and last day to receive 50% refund for complete withdrawals**

Wednesday, 16 September

Immanuel Kant
The Critique of Judgment

Art and Its Significance (95-142)


Week 5: Hegel and Romanticism

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Wanderer above the Sea of Fog
Caspar David Friedrich, oil on canvas, circa 1817
Kunsthalle, Hamburg

Monday, 21 September

G.W.F. Hegel
Philosophy of Fine Art

Art and Its Significance (144-159)

Wednesday, 23 September

Writing Assignment #2
(Due Monday, October 12)


PART II: Philosophy of Modern Art

Week 6: The Birth of Modern Art

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Impression, Sunrise
Claude Monet, oil on canvas, 1872
Musée Marmottan Monet, Paris

Monday, 28 September

Nietzsche's Philosophy of Art

The Birth of Tragedy

Art and Its Significance (162-175)

Wednesday, 30 September

Friedrich Nietzsche
Selections from Later Writings

Film Recommendation:
Midnight in Paris


Week 7: Art as Expression

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The Scream
Edvard Munch, 1893
Oil, tempera, pastel and crayon on cardboard
Munch Museum, Oslo

Monday, 05 October

Art as Expression

Leo Tolstoy
What is Art?

Art and Its Significance (177-181)

Wednesday, 07 October

R.G. Collingwood
Principles of Art

Art and Its Significance (192-201)


Week 8: Art as Significant Form

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Two Forms
Barbara Hepworth
Serravezza marble, 1937, Private collection

Monday, 12 October

Art as Significant Form

Clive Bell
Art as Significant Form

Art and Its Significance (185-189)

Wednesday, 14 October

Barbara Hepworth
"Sculpture"


Week 9: Art as Experience and as Symbolic Form of Feeling

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No. 210/No. 211, (Orange)
Oil on canvas, Mark Rothko, 1960.
Crystal Bridges Museum of American Art

Monday, 19 October

Art as Experience

John. Dewey
Art as Experience

Art and Its Significance (203-220)

Wednesday, 21 October

Suzanne Langer
Feeling and Form

Art and Its Significance (221-235)


Week 10: Art as the Happening of Truth

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A Pair of Shoes
Vincent Van Gogh
Oil on canvas, 1886
Van Gogh Museum, Amsterdam

Monday, 26 October

Wednesday, 28 October

Jaques Derrida
"Restitutions" from The Truth in Painting

Art and Its Significance (421-428)

The Shimmering Shining
(My paper on Nietzsche and Heidegger)


Week 11: Painting as Embodiment of Vision

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Mont Sainte-Victoire
Paul Cézanne
Oil on canvas, 1904-06
Princeton University Art Museum

Monday, 02 November

**November 2: Last Day to drop a class online with a "W"**

Wednesday, 04 November

Maurice Merleau-Ponty
Eye and Mind

Art and Its Significance (281-298)

Writing Assignment #4
Due Monday, November 23


PART III: Further Discussions

Week 12: Art & the Political

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Colored Mona Lisa
Andy Warhol
silkscreen inks and graphite on canvas, 1963
Private collection

Monday, 09 November

Wednesday, 11 November

*Holiday—Veteran's Day*


Week 13: The Apotheosis of Modern Art?

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Full Fathom Five
Jackson Pollock
Oil on canvas with nails, tacks, buttons, key, coins, cigarettes, matches, etc., 1947
Museum of Modern Art, New York

Monday, 16 November

Clement Greenberg
"Towards a Newer Laocoon"

"Modernist Painting"

Wednesday, 18 November

Joseph Kosuth
"Art after Philosophy"

Jackson Pollock Documentary
Film Recommendation:
Pollock


Week 14: Postmodernism


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Derrida Queries De Man
Mark Tansey
Oil on canvas, 1990
Collection of Mike and Penny Winton

Monday, 23 November

Jean-François Lyotard
What is Postmodernism?

Art and Its Significance (561-564)

Wednesday, 25 November

Arthur Danto
The Artworld

Art and Its Significance (470-481)

Arthur Danto
After the End of Art

Basquiat: a postmodern representation
Film Recommendation:
The Radiant Child
(Jean Michel Basquiat Documentary)

Week 15: Feminist Theory

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Self-Portrait with Thorn Necklace and Hummingbird
Frida Kahlo
Oil on canvas, 1940
Harry Ransom Center
Austin, Texas

Monday, 30 November

Heide Goettner-Abendroth
Nine Principles of a Matriarchal Aesthetic

Art and Its Significance (566-577)

Wednesday, 02 December

Luce Irigaray
Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine"

Art and Its Significance (578-590)

Craig Owens
The Discourse of Others: Feminists and Postmodernism

Art and Its Significance (591-598)

Film Recommendation:
Frida

Harvey Weinstein Is My Monster Too
Salma Hayek


Week 16: Multicultural Theory

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Les Demoiselles d'Avignon
Pablo Picasso
Oil on canvas, 1907
The Museum of Modern Art, New York

Monday, 07 December

V. Y. Mudimbe
The Invention of Africa

Art and Its Significance (600-606)

Trinh T. Minh-ha
Woman, Native, Other

Art and Its Significance (607-620)

Wednesday, 09 December

Tony Fry and Anne-Marie Willis
Aboriginal Art: Symptom or Success

Art and Its Significance (643-654)

'Primitivism in 20th-Century Art: Affinity of the Tribal and the Modern

Writing Assignment #6


Final Exam

Wednesday, 16 December (2:00-4:00 PM)

**Schedule is subject to revision**